During some recent research on the background of Doménikos Theotokópoulos, called El Greco in his most productive years, I came across a rather startling similarity in Pontormo’s Visitation and that of El Greco.
Take a look:

the-visitation

El Greco 1610 – Dumbarton Oaks


pontormo3

Pontormo 1529- San Michele in Carmignano


Note the position of Elizabeth’s left foot, the figure on the right in both paintings, as well as the positions of the left and right hands in greeting. Given that El Greco’s work post dates that of Pontormo by some eight-one years, I believe that El Greco was significantly inspired by the earlier master.
In a blog about the “Mask of Pontormo” , published some time ago, I discussed a curious visual style to the scarf that en wraps Mary’s head. I still believe Pontormo’s eyes saw more than any other of us might see in his work.
Perhaps that is also true of El Greco, particularly in another of his works about which I will write another blog, The Burial of the Count of Orgaz.
Stay tuned.